Quite enjoyed the Dylan doc. All those clean-cut, pasty faced Brits accusing Bobby of selling out are worth the price of admission alone. And poor Pete Seeger!
I suppose for the Dylan obsessive there's not much new information here, but as someone whose exposure to 60s Bob largely starts and ends with D.A. Pennebaker's brilliant "Dont Look Back," it was quite revelatory, not to mention self-aggrandizing and hypnotic. There really is a lot of confusion surrounding Dylan (he likes it that way), so this attempt to set some things straight--and further confound at the same time--should be welcome by most. Also, young Dylan is simply the most photogenic hipster of all time.
I do love how his most popular song--as are most meaningful pop hits--is a cryptic indictment against a culture who doesn't really know how it feels to be "like a rolling stone," or want to know for that matter. A culture that doesn't get it, but loves to sing along. Who can blame 'em. Life as a rambler ain't no party.
Here's a great article, published earlier this year in The Nation that explores the many possible meanings of the song through a review of Greil Marcus's most recent Bob opus and a couple other recent bios which over-ponder the meanings of pop songs. Good stuff.